Tate McRae’s third album, “So Close to What,” is sharper, more self-assured, and packed with the kind of pop that sounds great whether you’re out driving with friends or just hanging out at home. If her sophomore album, “Think Later,” introduced her as a rising star in the pop world, this album proves she’s here to stay. “So Close to What” is more fully embracing McRae’s evolving sound and artistry, as well as her growth as an artist.
She’s also experimenting more, working with different producers and pushing her sound in new directions. She blends dance-pop with fresh influences, making each track feel distinct. Songs like “Miss Possessive” and “Revolving Door” set the tone early, full of attitude and infectious energy, as if she’s saying, “I’m here!” The following track, “Blood on Hands,” featuring Flo Milli carries on that upbeat vibe, a collaboration not many would have expected, but it is not unwelcome. “I Know Love” with The Kid LAROI is an easy standout, blending their voices seamlessly; this is not surprising, given that he’s not just her collaborator but also her boyfriend.
Then, there are the album’s softer moments, but nonetheless, they still carry a large amount of emotion. “Dear God” and “Purple Lace Bra” pull back the intensity and excitement for more introspective storytelling, appealing to those who can relate to the wonderfully curated lyrics. “No I’m Not in Love” and “Means I Care” tackle complicated emotions honestly, representing how McRae speaks to her fans through her music and uses songwriting as a canvas for her growth and her change of persona. “Siren Sounds,” originally an unreleased track that leaked online, was officially dropped just a day after the album’s release, an unexpected bonus for fans who had already been streaming it.
Lyrically, “So Close to What” keeps things relatable, something that Tate McRae has mastered. There are no over the top metaphors or attempts to sound like a different person than she really is; her songs speak for themselves, and her manipulation of lyrics mixed with sounds subtly invite you to think about how the song relates to you.
As she evolves as a singer and songwriter, she’s also evolving as a performer. Her stage presence is often compared to Britney Spears, with high energy choreography and an undeniable ability to command a crowd. Her shows continue to grow in size, and her fanbase only expands with every release. It’s also clear that she’s found a balance between raw emotion and commercial appeal. There’s more confidence in this album; its success leaves fans in anticipation of her next project.